Last week we were honored to be able to present at AEL. We had a blast! My slave and I did the topic butches and femmes, here is her opening to what was an amazing night! Thank you to everyone who attended and whop wote about it afterwards. We were both very touched and moved by what you had to say:)
Hello
everyone! I am e--,
slave to Master and a femme identified queer woman of color. The reason
why I use so many adjectives in describing what I am is that all of these have
had a pivotal part in my journey towards
embracing my femme identity. Growing up I was very much a tomboy and refused to wear dresses or shop in the
girls section of the stores. This felt very comfortable to me, and it was what
I needed to feel like my identity was my own.
I didn’t
come out of the closet as gay until I was about 20. By that time my gender expression
had started to change. And I began
to experiment with what is viewed as more traditionally feminine
attire. Just like with my choice to wear
masculine clothes when I was younger
this was a decision I made on my own and for myself. While the outside world seemed to be more
accepting of my new form of gender expression. The queer women’s community that I was now a part of had a very
hard time accepting me as one of their
own. I was under a lot of p[pressure by my lesbian friends to assume a more
masculine form of gender expression
because it was more acceptable
for a woman of color who was fat
to be masculine identified. It wasn’t
until I picked up a book about female African American
blues artists that I was first
exposed to queer fat woman of color.
Artists like
Betsy Smith were an epiphany for me and
I now had my first set of femme idols
that I could look up to.
The other
complication of my femme identity was the assumption by many
queer women that my femme identity
meant that I was a passive partner in bed, in other words I was thought
to be a pillow queen based on my gender expression and nothing else.
That is if I was even considered queer at all.
That is if I was even considered queer at all.
As my femme
expression became stronger and more 3 dimensional in a way that suited my unique identity I began to openly address the issues of femme Invisibility that I was
experiencing within the queer community.
Femme invisibility
refers to the lack of social and sexual recognition and validation that women
with a feminine gender expression experience in queer women spaces. Although this type of invisibility
can exists in all spaces, it is particularly
hurtful when the community that we are a
part of does not recognize us.
In other
words we are not viewed as gay unless we have a butch partner on our arm. And even then
we still remain questionable and are viewed as mere tourists in the world of queer women’s sexuality.
Some of the
ways that I have dealt with my own femme invisibility have been to be more vocal and open about my enjoyment of same sex
relations. IN other words I talk about pussy a lot, and I even include hand gestures and sound effects. If
the people around me don’t get the message about what a happy poon hound I
am then at least they have the decency to look disgusted and walk away.
Especially when I get into waxing
philosophical about my love of camel toe.
I also find it very affirming to talk with other
femmes who enjoy the complexity of their sexuality luckily
they usually have more hand gestures for
me to try out.
And last but
certainly not least I embrace the power
of the femininity of the women around
me. I learned the importance of
this when I became an ally in the transgendered rights movement. It was transgendered women who first showed me the importance of
supporting and embracing the divine feminine in everyone. The respect that I
had regarding their femme identity gave me the insight to have respect for my own. And finally I have come to find a lot of freedom in
Middle Eastern and African dance. This allows me to reconnect with my body and its feminine strength. When I look at other belly dancers it is a
reminder to me of the power of my femininity.
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